Un lion derrière la vitre. Essais Design in Africa does not

Design in Africa does not aim to confront old and new

The gestures and the beliefs that support them date back to the ancient kingdom of Kongo

Keys to understanding Egyptian symbols

and the Kongo proper

000 legionaries

Un lion derrière la vitre. Essais Design in Africa does notFrom Venice to Istanbul, then Jerusalem, Alexandria, Sarajevo and back to Cordoba, Eric Le Brun's texts emerge and circulate between his own photographs. In the book's cover, the ancient songs and poems of Anouar Benmalek, chosen and interpreted by Emmanuelle Bunel, join and clarify the overall framework: in the vast land of the sea, in the Mediterranean, cities survive the men who create or mistreat them, like arrows launched into the passage of